thedrifter
11-16-08, 06:23 AM
Contemporary Life in Afghanistan Placed in Stark Focus at The New York Public Library
NEW YORK, NY.- With his discerning eye, unreserved bravado, and profound capacity for compassion, photographer Stephen Dupont plunges us deep into the heart of modern life in one of the world’s most forlorn and austere countries, Afghanistan. The barren beauty of its harsh landscape and sure tenacity of its people are juxtaposed here against the grief and terror that permeate everyday life. Afghanistan, or The Perils of Freedom will be on view at The New York Public Library’s Humanities and Social Sciences Library at Fifth Avenue and 42nd Street from November 7, 2008 to January 25, 2009. Admission is free.
Stephen Dupont is an award-winning photojournalist, documentary filmmaker, and war correspondent. He is internationally recognized for his work in some of the world’s most dangerous areas, including Afghanistan, Burma, Cambodia, Iraq, Papua New Guinea, Rwanda, Somalia, and Zaire. This exhibition, featuring photographs of Afghanistan from two portfolios recently acquired for the Library’s Photography Collection, is his first solo show in New York. Excerpts from two of Dupont's films, A Survivor's Tale and Stoned in Kabul, will be shown continuously in the Library’s South Court Visitor's Auditorium (first floor).
“Dupont’s sustained documentation of the conflict in Afghanistan, even when it was not headline news and in an age defined by its short attention span, lends both force and cohesion to his work,” says Stephen Pinson, Assistant Director of Art, Prints and Photographs and Curator of Photography at The New York Public Library. “His extended focus on the country has resulted in a series of images that vividly depict how life continues during perpetual war as well as single images that have helped to define and change the nature of that war.”
The exhibition features selected photographs from Dupont’s work in Afghanistan, where he has covered everything from civil war and the rise of the Taliban in the 1990s to the launch of Operation Enduring Freedom and the ongoing war on terrorism. These evocative images detail daily life: the men exercising in a dilapidated gymnasium in Kabul; the four women shrouded head to toe in their burqas awaiting medical consultations; the silhouette of a man cycling past the haunting ruins of the Buddhas of Bamiyan; and the young mujahid amputee in front of a bullet-ridden wall. Darker images punctuate the exhibition as well: a 4-month old child, her entire body burned, being carried in a U.S. Military Base Hospital; a woman and young girl crouching frightened as soldiers search their home; two young men shooting heroin in Kabul; and burning bodies of Taliban fighters.
Also included are photographs from the series Axe Me Biggie, a phonetic rendering of the Dari for “Mister, take my picture!” Dupont made these portraits during the course of one day (March 13, 2006) with a Polaroid camera in a makeshift studio in the streets of Kabul. While the primary subjects of the portraits are the sitters, the street life behind the sitters gives the photographs an added degree of stirring brio. One can almost feel the heat and hum of the crowd pushing towards the camera and its cameraman. It is through these images that the indomitable Afghan spirit Dupont so admires comes through acutely: a man with a bouquet of flowers and his knapsack staring mystified into the camera as bystanders behind him do the same; an older man in traditional dress looking scholarly and grandfatherly; the reluctant gaze of the young girl delicately holding a carton of eggs, and a gentleman in a suit jacket and button-up shirt, who looks nothing if not regal, intensely courting the camera.
Together, these photographs tell a poignant story of poverty, warfare, and broken promises, but also of perseverance, unmitigated resolve, and hope, as they refocus attention on the state of Afghanistan today.
Stephen Dupont was born in Sydney, Australia in 1967. His work has been featured in The New Yorker, Newsweek, GQ, The New York Times Magazine, and Vanity Fair, among numerous other publications. He has earned many of photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondent’s Prize; and first places in the World Press Photo contest, Pictures of the Year International competition, the Australian Walkley Award, and the Leica/CCP Documentary Photography Award. In 2007, he was awarded the W. Eugene Smith Grant in Humanitarian Photography to continue Narcostan or The Perils of Freedom, a multimedia project documenting the effects of the rampant drug trafficking that has developed in Afghanistan since 2001. In April of 2008, he survived a suicide bombing while traveling with an opium poppy eradication team in Kabul.
Ellie
NEW YORK, NY.- With his discerning eye, unreserved bravado, and profound capacity for compassion, photographer Stephen Dupont plunges us deep into the heart of modern life in one of the world’s most forlorn and austere countries, Afghanistan. The barren beauty of its harsh landscape and sure tenacity of its people are juxtaposed here against the grief and terror that permeate everyday life. Afghanistan, or The Perils of Freedom will be on view at The New York Public Library’s Humanities and Social Sciences Library at Fifth Avenue and 42nd Street from November 7, 2008 to January 25, 2009. Admission is free.
Stephen Dupont is an award-winning photojournalist, documentary filmmaker, and war correspondent. He is internationally recognized for his work in some of the world’s most dangerous areas, including Afghanistan, Burma, Cambodia, Iraq, Papua New Guinea, Rwanda, Somalia, and Zaire. This exhibition, featuring photographs of Afghanistan from two portfolios recently acquired for the Library’s Photography Collection, is his first solo show in New York. Excerpts from two of Dupont's films, A Survivor's Tale and Stoned in Kabul, will be shown continuously in the Library’s South Court Visitor's Auditorium (first floor).
“Dupont’s sustained documentation of the conflict in Afghanistan, even when it was not headline news and in an age defined by its short attention span, lends both force and cohesion to his work,” says Stephen Pinson, Assistant Director of Art, Prints and Photographs and Curator of Photography at The New York Public Library. “His extended focus on the country has resulted in a series of images that vividly depict how life continues during perpetual war as well as single images that have helped to define and change the nature of that war.”
The exhibition features selected photographs from Dupont’s work in Afghanistan, where he has covered everything from civil war and the rise of the Taliban in the 1990s to the launch of Operation Enduring Freedom and the ongoing war on terrorism. These evocative images detail daily life: the men exercising in a dilapidated gymnasium in Kabul; the four women shrouded head to toe in their burqas awaiting medical consultations; the silhouette of a man cycling past the haunting ruins of the Buddhas of Bamiyan; and the young mujahid amputee in front of a bullet-ridden wall. Darker images punctuate the exhibition as well: a 4-month old child, her entire body burned, being carried in a U.S. Military Base Hospital; a woman and young girl crouching frightened as soldiers search their home; two young men shooting heroin in Kabul; and burning bodies of Taliban fighters.
Also included are photographs from the series Axe Me Biggie, a phonetic rendering of the Dari for “Mister, take my picture!” Dupont made these portraits during the course of one day (March 13, 2006) with a Polaroid camera in a makeshift studio in the streets of Kabul. While the primary subjects of the portraits are the sitters, the street life behind the sitters gives the photographs an added degree of stirring brio. One can almost feel the heat and hum of the crowd pushing towards the camera and its cameraman. It is through these images that the indomitable Afghan spirit Dupont so admires comes through acutely: a man with a bouquet of flowers and his knapsack staring mystified into the camera as bystanders behind him do the same; an older man in traditional dress looking scholarly and grandfatherly; the reluctant gaze of the young girl delicately holding a carton of eggs, and a gentleman in a suit jacket and button-up shirt, who looks nothing if not regal, intensely courting the camera.
Together, these photographs tell a poignant story of poverty, warfare, and broken promises, but also of perseverance, unmitigated resolve, and hope, as they refocus attention on the state of Afghanistan today.
Stephen Dupont was born in Sydney, Australia in 1967. His work has been featured in The New Yorker, Newsweek, GQ, The New York Times Magazine, and Vanity Fair, among numerous other publications. He has earned many of photography’s most prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondent’s Prize; and first places in the World Press Photo contest, Pictures of the Year International competition, the Australian Walkley Award, and the Leica/CCP Documentary Photography Award. In 2007, he was awarded the W. Eugene Smith Grant in Humanitarian Photography to continue Narcostan or The Perils of Freedom, a multimedia project documenting the effects of the rampant drug trafficking that has developed in Afghanistan since 2001. In April of 2008, he survived a suicide bombing while traveling with an opium poppy eradication team in Kabul.
Ellie