thedrifter
09-28-06, 05:44 AM
Article published September 28, 2006
Iraq war soldiers look inward
By CHRISTOPHER BORRELLI
BLADE STAFF WRITER
Early into Combat Diary: The Marines of Lima Company A&E, $24.95, a soldier says, "Until people started getting hurt, it was really exciting, almost fun, seriously like a video game." He says this months after returning from Iraq, frankly and with an ironic smile.
Another soldier, in The Ground Truth: After the Killing Ends Universal, $14.98, remembers singing songs during basic training about bursting into Iraqi schoolyards and mowing down children. She says at first "I couldn't believe we were saying this stuff." But after a while, she says, she didn't think about it.
What's striking about these admissions, culled from a pair of extraordinary new documentaries about the daily reality of being assigned to Iraq, is not how chilling they are, or that the admissions are made by soldiers conditioned into remorseless killing machines, or that these are men and women who have since renounced the military in the service of a protest picture. Quite the contrary.
The subjects of Combat Diary, the Columbus-based Lima Company, 3rd Battalion, 25th Marines, one of the hardest-hit units of the war, never question their purpose. Instead, they give intensely personal accounts of the mounting frustration and heartache they found trying to meet it.
And the subjects of Ground Truth, though they absolutely question their purpose and methods, go even deeper, stripping away the veneer of honorable service until all that's left, as one vet puts it, is "the psychological illness of war."
What both films share are men and women, lulled by promises of relatively easy service, who are unprepared for the full extent of what they've trained for, and in many cases, they feel set adrift once they've returned. What these movies also share is a wealth of video shot by the soldiers themselves.
If the Vietnam war was the first television war, as it's often called, then the war in Iraq is the first memoirist war. There are anti-war pictures, of course. But the finest documentaries made about Iraq, and these are two of them, transcend protest and remind us the most honest way to explain the emotional legacy of a war - raging 360 degrees, 24-7, with no clear fronts or enemies, as so many of the soldiers here point out - is to prod inward, to places that can't be amputated.
Ellie
Iraq war soldiers look inward
By CHRISTOPHER BORRELLI
BLADE STAFF WRITER
Early into Combat Diary: The Marines of Lima Company A&E, $24.95, a soldier says, "Until people started getting hurt, it was really exciting, almost fun, seriously like a video game." He says this months after returning from Iraq, frankly and with an ironic smile.
Another soldier, in The Ground Truth: After the Killing Ends Universal, $14.98, remembers singing songs during basic training about bursting into Iraqi schoolyards and mowing down children. She says at first "I couldn't believe we were saying this stuff." But after a while, she says, she didn't think about it.
What's striking about these admissions, culled from a pair of extraordinary new documentaries about the daily reality of being assigned to Iraq, is not how chilling they are, or that the admissions are made by soldiers conditioned into remorseless killing machines, or that these are men and women who have since renounced the military in the service of a protest picture. Quite the contrary.
The subjects of Combat Diary, the Columbus-based Lima Company, 3rd Battalion, 25th Marines, one of the hardest-hit units of the war, never question their purpose. Instead, they give intensely personal accounts of the mounting frustration and heartache they found trying to meet it.
And the subjects of Ground Truth, though they absolutely question their purpose and methods, go even deeper, stripping away the veneer of honorable service until all that's left, as one vet puts it, is "the psychological illness of war."
What both films share are men and women, lulled by promises of relatively easy service, who are unprepared for the full extent of what they've trained for, and in many cases, they feel set adrift once they've returned. What these movies also share is a wealth of video shot by the soldiers themselves.
If the Vietnam war was the first television war, as it's often called, then the war in Iraq is the first memoirist war. There are anti-war pictures, of course. But the finest documentaries made about Iraq, and these are two of them, transcend protest and remind us the most honest way to explain the emotional legacy of a war - raging 360 degrees, 24-7, with no clear fronts or enemies, as so many of the soldiers here point out - is to prod inward, to places that can't be amputated.
Ellie